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・ Theodore Wratislaw
・ Theodore Wright
・ Theodore Wright (disambiguation)
・ Theodore Y. Wu
・ Theodore Yuyun
・ Theodore Zeldin
・ Theodore Zichy
・ Theodore Ziolkowski
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・ Theodore, Alabama
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Theodore Scott-Dabo
・ Theodore Scowden
・ Theodore Sedgewick Wright
・ Theodore Sedgwick
・ Theodore Sedgwick (writer)
・ Theodore Sedgwick Fay
・ Theodore Seio Chihara
・ Theodore Shackley
・ Theodore Shapiro
・ Theodore Shapiro (composer)
・ Theodore Shedlovsky
・ Theodore Sherman Palmer
・ Theodore Shulman
・ Theodore Sider
・ Theodore Sigritsa


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Theodore Scott-Dabo : ウィキペディア英語版
Theodore Scott-Dabo
Theodore Scott-Dabo (November 16, 1865 - November 17, 1928) casually known as Scott Dabo, was a French/American tonalist landscape artist thought to be from Detroit, Michigan but is now known to have been born in Saverne, France.〔Alsace-Lorraine, France Citizenship Declarations (Optants), 1872 (on-line ). Provo, UT, USA: Ancestry.com Operations, Inc., 2010.
Original data: ARFIDO S.A. Les Optants d'Alsace Lorraine. Série 43. Paris: ARFIDO S.A., 2006. © ARFIDO S.A.〕 Active both in New York and Paris, he was the younger brother of Leon Dabo. Both artists were Impressionist landscape painters, who shared in a similar manner in style and tone. During the period when they worked together, their subjects were usually landscapes and seascapes in the early morning or evening at twilight, they utilized spare composition and reductive color schemes to evoke what they termed, mood. The Dabo brothers style that had a Whistlerian quality, and like James McNeill Whistler both would come to be labeled Tonalist. The youngest brother in the family, Louis, a writer and publicist, also used the name Scott Dabo.
==History==
The Dabo family lived in Detroit, Michigan between 1870 and the early 1880s under the surname of Schott.〔1880 US Census, Michigan, Wayne Co., Detroit, E.D. 274 p.64A〕 Both Theodore and his elder brother Leon were painters and received their initial artistic training from their father, Ignace Schott. Theodore's work, and that of his brother Leon, show the influence of James McNeill Whistler and J. M. W. Turner, whom the brothers discussed in their correspondence.〔"ART OF THE TWO DABOS" The New York Post (March 23, 1907)〕

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